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Jean Dubuffet

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A joyous cacophony of figures, shapes and spaces, Panorama (1978) is a striking example of Jean Dubuffet’s Théâtres de mémoire (‘Theatres of memory’), the reflective series created in the triumphant final decade of the artist’s life.

Jean Dubuffet, Ciseaux I, 1966. A tangled web of red, white, and blue patterns are cut and spliced from multiple aerial perspectives into a single unified construction, revealing a unique vision of a pair of scissors in Jean Dubuffet’s remarkable Ciseaux I. Executed in 1966, it is a highly accomplished large-scale example of the artist’s celebrated Ustensiles Utopiques paintings, in which he applied his signature l’Hourloupe style to a series of ubiquitous, everyday objects.

Jean Dubuffet, Les Vacances au Pas-de-Calais, 1973. It is painted with gouache on paper. We can distinguish amongst white lined circles of colors in the background a center piece that can be perceived as a car ( a Citröen) zooming on a road with a couple driving it.

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