Skip to content
Past
KAY SAGE AND YVES TANGUY: RING OF IRON, RING OF WOOL
KAY SAGE AND YVES TANGUY: RING OF IRON, RING OF WOOL
Curated by Dr. Victoria Noel-Johnson May 9 – July 28, 2023
Picture of the painting by Picasso 'Le Peintre et son modèle' from 1963. We see a man painting a female sculpture set in front of him on a canvas propped on an easel.
MASTERPIECES
September 28 – December 23, 2022
Picasso and the Process of Creation : The Painter and His Model
Picasso and the Process of Creation : The Painter and His Model
The exhibition is organized in collaboration with the international art historian Dr. Dieter Buchhart and was designed by studioMDA New York. April 26 – June 11, 2022
this image features a painting by Jean Dubuffettitled, Ciseaux I pruned in 1966, this painting represents an oversized pair of scissors depicted with his signature Hourloupe style which consists of thick red line, blue and red stripes.
Masterworks
Curated by Helly Nahmad and Marzina Marzetti October 6, 2019 – April 1, 2022
This is an image of the painting by Georges Braque titled Verre et Compotier, (Glass and marmelade) 1922
The Climax of Cubism
Curated by Joachim Pissarro May 9 – September 27, 2019
This is a cropped image of Joan Miró's painting titled Oiseaux en Fête pour le lever du Jour, 21 March 1968, 1968 (Birds' Joy at Day's Birth), 21 March 1968
Selected Works by 20th Century Masters
Curated by Helly Nahmad and Marzina Marzetti March 1, 2018 – January 31, 2019
this flyer displays the tile and date of the exhibition titled Mnemosyne de Chirico and Antiquity. It also features on the top left a cropped image of a Giorgio de Chirico painting and on the right it shows a ancient marble statue of a woman.
Mnemosyne: de Chirico and Antiquity
Curated by Marzina Marzetti November 4, 2015 – January 30, 2016
This image is the poster of the exhibition The Wounded Canvas, which features in the background a painting by Albert Burri titled Alberto Burri's Combustione plastica, featuring a black background and a surface that looks like craters created by burned plastic. The flyer also features the name of the four artists participating to the exhibition, Burri, Fontana, Manzoni, Tapies.
The Wounded Canvas, Burri Fontana Manzoni Tàpies
Curated by Helly Nahmad and Marzina Marzetti With the help of Derek Des Islets, Giulia Trabaldo Togna and Margaret Zuckerman May 4 – June 13, 2015
This image is the poster for the exhibition, Le Chant de la Grenouille, the Surrealists in conversation, it features a photo grouping all the members of the Surrealist group seated together outside.
Le Chant de La Grenouille: The Surrealists in Conversation
Curated by Marzina Marzetti October 30 – December 23, 2014
This image is the poster for the exhibition Alexander Calder the Painter. It features the title of the exhibition on top and an image of one of Calder's painting called Odalisque executed in 1946. It represents an African woman laying on a red floor, the background is made of the room features on the left a yellow wall and on the right side a wall with black and white stripes. there is a pink curtain on the left.
Alexander Calder
The Painter November 7, 2011 – January 28, 2012
This image is the poster of the exhibition Chaim Soutine and Francis Bacon it features on the left a painting by Soutine and on the right a painting by bacon. They both feature the portrait of a man in their specific style.
Soutine/Bacon
Curated by Maurice Tuchman and Esti Dunow May 2 – June 18, 2011
Sam Francis, Holy Hole 1973. This is a cropped image of an abstract painting by Sam Francis, depicting the shape of a blue circle in its center with color drip and spots all around of warm tons, orange, red, pink.
Sam Francis
May 1 – July 1, 2010
This image features a painting by Picasso, titled, Partition, Bouteille de Porto, Guitare, Cartes à Jouer, produced in 1917, representing a still life featuring a guitar as its central elements and a bottle of porto.
Picasso's Bodegones
May 6 – July 31, 2008
This image features a painting by Max Ernst, titled "Malédiction à vous les mamans" (Curse to you, Mothers), Executed in 1928. This painting depict a vivid sky blue background. There is no perspective, but only three four figures or creatures depicted in the center. These figures look human but display birds faces. On the left there is a small figure in painted in dark blue and white. In the center there is a mother holding a child in her arms they are both fully painted in yellow and in a very curvy and simple manner. On the right is a medium size figure that allude to a child in movement fully painted in vivid brown tons. All their faces are like masks with holes displaying the background for eyes.
Max Ernst
November 6, 2006 – January 31, 2007
This image is a cropped photo of Modigliani's painting titled "Jeune Fille à la Chemise Rayée"(Young woman with striped shirt) executed in 1917. It depicts the portrait of a young woman with short red hair and bang wearing a striped shirt and a black tie. The background is in grey and turquoise tons.
Amadeo Modigliani: A Bohemian Myth
November 4 – December 22, 2005
This image is a cropped photo of Fernand Leger's painting titled "Composition aux Trois Profils" (Composition with Three Profiles) executed in 1937. The present work belongs to Léger's most abstract series founded on this contrast, and it anticipates the artist's development over the next decade. His fascination with the composition intensified in 1937, a highly productive year in which he made seven variations of the painting. The present painting – and the other versions from that year – have an unprecedented complexity of form, exuberance of movement and brilliance of color.
Fernand Léger
February 22 – May 28, 2005
This image represents a painting by Kandinskt, titled, Voisinage, executed in 1939. The present work is an important composition from the artist's last great abstract period. The elements that build up Voisinage echo forms from the animal kingdom, such as the amoeba-like structures along the lower edge of the painting and the whale-shaped pink mass with its fish tail that dominates the center of the composition. This organic affinity imbues the painting with a wonderfully playful character and a vibrant sense of optimism and affirmation.
Kandinsky: Sounds of Colours
May 1 – July 31, 2004