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This photo features a painting by Max Ernst called, "Mers et Soleil, Lignes de Navigation" representing a sky at sunset the sunset in yellow and oranges tons and a dark ocean on the bottom of the canvas.

Max Ernst, Mer et Soleil, Lignes de Navigation,1925
Oil on canvas
55 x 46 cm. (21 5/8 x 18 1/8 in.)
 

PARIS
QUAI BRANLY MUSEUM
Félix Fénéon
May 28 - September 29, 2019

The Orsay Museum, the Orangerie Museum, the Quai  Branly  Museum- Jacques Chirac and The Museum of Modern Art, New York, pay tribute to Félix Fénéon (1861-1944), an important figure in the artistic world in the late 19th and early 20th century. Anarchist, art critic, editor, gallery director and collector, Fénéon espoused an open-minded vision of creation at a time when art was on the verge of the shift to modernity and strove for the recognition of non-western arts.

In 1920, in what would become one of the founding texts of the musée du quai Branly – Jacques Chirac, he penned the vibrant article “Seront-ils admis au Louvre?” (Will they be admitted into the Louvre?), in which, he called for recognition of “arts from distant lands” seventy years before the “primitive” art collector Jacques Kerchache issued his manifesto. This commitment went hand-in-hand with the development of a remarkable personal collection which features, alongside paintings by his friends Ernst, Seurat, Vuillard, Toulouse-Lautrec, Braque, Matisse and Modigliani, one of the most important bodies of artworks for Africa and Oceania in his era – including the Fang Mabea statue. A landmark collection, whose worldwide prestige and influence on the artistic avant-garde of the 30s are now beyond debate.